More About the Image:
Made on a trip to Santa Fe, New Mexico in 1958, this image became one of Ansel’s last great masterpieces. The aspen trees were in complete shade and only lit by the reflected light from distant clouds. The therefore confounding but luminous image is likewise a reflection of Ansel’s mastery in the darkroom and his ability to ‘visualize’ the final printed photograph and to give it vibrance. This photograph also showcases the subtle beauty between the stately leaves and withdrawn shadows that Ansel sought to distinguish, but not overpower. Around this same time in 1960, this image would grace the cover of This is the American Earth which along with Rachel Carson’s Silent Spring became a crucial tome of the early environmental conversation movement. Ansel further communicated the significance of this image by including it in his Portfolio 7 in 1976 and it would later be a part of the posthumous exhibition and eponymous book, Ansel Adams at 100.