Rose and Driftwood, 1932
Ansel Adams’ Rose and Driftwood might be considered a “still life.” Photographing a Rose his Mother grew, positioned on driftwood.
Since 1902, The Ansel Adams Gallery is an authorized concessioner of the National Park Service.
Ansel Adams’ Rose and Driftwood might be considered a “still life.” Photographing a Rose his Mother grew, positioned on driftwood.
For Ansel Adams, Yosemite Valley, to me, is always a sunrise, a glitter of green and golden wonder in a vast edifice of stone and space.
From his first official experiences with the Sierra Club in 1927 through his final year as a board member in 1971, Ansel Adams cherished these outings. It was on these trips that he developed lifetime friendships over days of hiking, and nights of entertainment.
The Sierra Nevada, called the “Range of Light” by John Muir, rises as a great wave of stone between the Great Basin and the Central Valley of California.
Bridalveil Fall is one of Yosemite’s premier attraction. Native Americans referred to Bridalveil as Pohono. Ansel made this classic image in 1927.
Ansel Adams’ “Cathedral Peak and Lake” brings us back to the long friendship formed between Ansel and renowned artist Georgia O’Keeffe.
Horsetail Fall, 1973. The story behind this legendary image by Galen Rowell. This photograph remains the most recognizable image of the famous waterfall.
A “Proof” Print is not the same as “Artist Proof”, which is a finished work reserved by the Artist. Think of Proof Prints as “Work Prints.”
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