
Winter Sunrise, Sierra Nevada from Lone Pine, 1944 – Modern Replica in sizes up to 30″x38″
Story Behind the Image On four successive mornings Adams tried to take this photograph from the east side of the Sierra. On the fifth day it was still dark and bitterly cold when he set up his camera on the new platform on top of his car and retreated to the warm…

Re-Introducing “Half Dome, Olmsted Point”
Story Behind the ImageHalf Dome, Olmsted Point - Yosemite Special Edition Photograph has been re-released It has been many years since this photograph, part of the Yosemite Special Edition Photograph series has been available. Half Dome, Olmsted Point was photographed…

Unicorn Peak, Thunderclouds
Story Behind the Image Ansel Adams made this image with a medium format camera around 1967 in late spring or early summer when heavy snow still swathed the granite peaks of the Cathedral Range south of Tuolomne Meadows. The billowing thunderclouds piled high above…

Mount Ansel Adams, Lyell Fork
Story Behind the ImageThe Lyell Fork of the Merced River with its high, remote peaks and sapphire necklace of lakes was among Adams' favorite areas in Yosemite . In 1934, he led a Sierra Club outing to the Lyell Fork and the group climbed the then unnamed peak Adams called the Tower in Lyell Fork.

Exhibition reveals the more fluid side of Ansel Adams
Ansel Adams Exhibits Worldwide, Ansel Adams in the News, Story Behind the ImageSALEM — The photography of Ansel Adams is so sturdily composed, so enduringly right that it can feel like the aesthetic equivalent of granite. Unbudgeably there. Non-porous. A waste of time to take issue with.
These feelings emerge from qualities…

Mount Ansel Adams, Lyell Fork
Story Behind the ImageAnsel Adams made this image with a 3 1/4" x 4 1/4" Zeiss Jewel view camera. Precisely when he made the image is debatable; some evidence points to 1943, but it may have been on a pack trip in September 1938 with Georgia O'Keeffe and David McAlpin.

Ansel Adams’ Yosemite Special Edition Photographs
Gallery News, Story Behind the ImageAffordable Authentic Ansel Adams Prints One of Ansel Adams’ personal commitments was to share his energy and abilities in support of the things he believed in, most notably, photography and the environment.
In the cause of both, Ansel…

UC Berkeley, as seen through Ansel Adams’ camera
Ansel Adams in the News, Story Behind the ImageNearly 50 years, ago, American photographer and environmentalist Ansel Adams shot black-and-white images of the University of California campuses, creating a vast repository of 1960s photographs that was named “Fiat Lux” (“Let there be…

The Key to a Photograph from Ansel Adams
Ansel Adams, Family, and Friends, Photography Education, Story Behind the ImageAnsel Adams used the term “visualization” often – but what exactly does it mean? How does it fit into your work flow as a photographer?

More Ansel Adams Images of the Bay Area – Leaves, Mills College
Story Behind the ImageLeaves, Mills College, California - In 1933 Adams showed a selection of his photographs to the dean of the Art Department at Yale University. Adams wrote, "The dean was a most gracious and kindly person but had never seen my type of photographs. He was taken with 'Leaves, Mills College Campus' and asked, 'Just what is this?' I said, 'It is a picture of foliage.' 'Yes, I understand that, but what is the subject?' I said 'What do you mean?' He replied (just a bit testily), 'What is the medium - is it an etching, a lithograph or a detailed painting?' I said, 'It's a photograph!' I was finally able to convince him that it was a direct photograph from nature. He became quite excited and arranged an exhibit of my work at Yale in 1934.